Is it natural to grieve over lost possessions?

Floating in the North Sea, I recall a feeling of tranquillity as I watched a golden sunset glint across the waves. I was ice swimming with friends, a sport that reaps benefits like living longer and combatting depression. As I’d spent most of 2020 enduring the stress of job hunting in a pandemic, the icy plunge felt like a needed change of pace. For a moment, everything was right in the world. That was, until the most precious thing I owned sank to the sea floor - never to be seen again.

Storms ahead for dementia research

** Unpublished Article - shortlisted for The Economist Internship 2020 ** One unsuspecting night in June 1993, a Scarborough hotel tumbled down into the sea below. The contents of Holbeck Hall spilled out across the rocky cliff-side, together with all the memories the hotel had housed. “I knew everything in it,” said the hotel’s owner, Joan Turner, “I’ve lost my dream.” Turner’s loss was palpable but the insidious process of coastal erosion that swept Holbeck Hall away took decades to reach this destructive point.

Thomasin’s Liberation in ‘The Witch’

Without question, this is a horror film: a baby is devoured; a mother’s breast is mutilated by a raven; danger lurks in the woods. That’s why it’s surprising to learn that inspiration was partially drawn from fairy tales. For centuries, such stories have been a popular way to teach children moral codes; in other ways, these tales behave as transformative devices where daily life is reimagined as magical, not mundane. Too often are their dark origins forgotten.
Load More Articles